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Wind-swept, captivating Catanduanes

Publication Date : 15-11-2012

 

The tall tale is that the men of Spanish conquistador Juan de Salcedo were pursuing pirates operating in the Philippine Bicol Peninsula in 1573, whereupon they came to the dwelling place of a Datu and his family living in a place filled with flowers.

The flowers were called burac, subsequently changed to birac. And that is how the area became Virac, the capital town of Catanduanes.
Wind-swept, captivating Catanduanes, a big island province known for its frequent storms emanating from the Pacific Ocean and Puraran Beach, a byword among Filipino and foreign surfers, is easily among the most scenic provinces in Bicolandia, a region known for its natural beauty.

The province is a three-hour ride via Ro-Ro vessel from the Bicol mainland, entry point being the Port of Tabaco City, Albay in south Luzon.

All around are greenery, cloud-draped mountains, a long coastline, rock formations, beach resorts (check out TwinRock), two historical churches (the Virac Cathedral and the enchanting St. John the Baptiser Church in Báto, near Virac, circa 1883); and caves, including Luyang Cave in San Andres, “where natives were choked to death by Moro pirates in the 17th century”.

Places to stay in Virac include Rakdell Inn, Marem Pension House, Midtown Inn and Rhaj Inn Apartelle.

The provincial Governor is Joseph C. Cua, and Vice-Governor is Jose Teves Jr.

Representing the lone district of Catanduanes is Rep. caesar Sarmiento.

Catanduanes recently put its best foot forward with the month-long Catandungan Festival 2012, its 67th Foundation Anniversary. The slogan was “Sulong Catandungan sa Matanos ng Dalan,” a takeoff on President Aquino’s “daang tuwid” (Forward Catandungan on the Straight Path).

Highlights were a Kundiman Fiesta, streetdancing by schoolteachers and students capped by a “Festival of Festivals/Showdown”.

To the strains of a traditional Bicolano song, the men and women teachers from the different towns of the province danced the Pantomina, a traditional marriage and courtship dance. There was graceful movement of the hands, the women demure, and the men forceful when the choreography demanded it. There were chants, elaborate bows and mock chases.

In a real wedding reception, the guests were expected to shower money on the happy, dancing couple.

The street dancing of the students was understandably more energetic- frenzied at times—and served as an appetiser for the “showdown”.

With giant props, full costume regalia, drums and bugles, and icons of Mother Mary and the patron saints, the seven contingents showcased their dancing skills as well as the produce of their town (as in abaca, rice or crabs).

They performed key and lively segments from their respective town festivals.

Two contingents—from Viga, the defending champion, and Gigmoto—were nothing short of spectacular. As a judge, I gave slightly more points to the contingent from Gigmoto, if only because of the skill of their dancers and gymnasts.

The other jurors, however, gave the nod to the team from Viga.

 

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